Tamman
New member
- Joined
- Mar 2, 2026
- Messages
- 18
Remember my post about being terrified to interview the musician I've been researching? It happened. It's over. I'm still processing. He was kind. Genuinely kind. Not the distant, intimidating genius I'd built in my head. Just a person. Tired from tour. Happy to talk to someone who actually listened to his music. Grateful that a young person cared about his work.
I asked my prepared questions. He answered thoughtfully. Then something shifted. He started asking ME questions. What did I hear in that solo? Why did that song matter to me? What was I trying to say in my dissertation?
For 20 minutes, we just talked. About music. About life. About why some notes make you cry and you don't know why. He didn't have answers. Neither did I. But we were asking together. At the end, he said something I'll never forget: "You're not writing about me. You're writing about what my music does in the world. That's different. That's yours. Don't worry about getting me right. Worry about getting yourself right."
My dissertation changed after that. Less about proving I understood him. More about exploring what his music does in the world. In me. In others.
My advisor says it's better now. Deeper. More honest. Less academic performance, more real inquiry. I'm glad I met him. Not because my analysis was validated. Because I learned that art isn't about the artist's intentions. It's about what happens when the art meets the listener. The conversation between creation and reception.
That conversation is infinite. And now I'm part of it.
I asked my prepared questions. He answered thoughtfully. Then something shifted. He started asking ME questions. What did I hear in that solo? Why did that song matter to me? What was I trying to say in my dissertation?
For 20 minutes, we just talked. About music. About life. About why some notes make you cry and you don't know why. He didn't have answers. Neither did I. But we were asking together. At the end, he said something I'll never forget: "You're not writing about me. You're writing about what my music does in the world. That's different. That's yours. Don't worry about getting me right. Worry about getting yourself right."
My dissertation changed after that. Less about proving I understood him. More about exploring what his music does in the world. In me. In others.
My advisor says it's better now. Deeper. More honest. Less academic performance, more real inquiry. I'm glad I met him. Not because my analysis was validated. Because I learned that art isn't about the artist's intentions. It's about what happens when the art meets the listener. The conversation between creation and reception.
That conversation is infinite. And now I'm part of it.